Postcard
07.25.22Norma in Kaohsiung
On a warm evening this past January, a crowd gathered outside the Weiwuying Opera House in Kaohsiung, Taiwan’s second largest city, more than an hour before the night’s performance was scheduled to begin. As they waited to enter the theater, people...
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08.07.18Chinese Audiences Will Not See Disney’s New Movie Starring Notorious Outlaw Winnie the Pooh
Slate
Christopher Robin, which is already in theaters in the U.S., is the second Disney movie to be rejected in China this year, following A Wrinkle in Time. Another source told THR that Christopher Robin was not...
Depth of Field
04.02.18Slow Trains, Shrinking Boomtowns, and Men Who Know Ice
from Yuanjin Photo
In this issue of Depth of Field, we take a ride on one of China’s slowest trains, meet the workers who cut the ice for Harbin’s winter festival, and follow two mentally disabled “sent-down youth” on a rare trip home to visit their families. Also:...
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08.31.17David Tang, Fashion Retailer and Raconteur, Dies at 63
New York Times
David Tang, the founder of Shanghai Tang, a global chain of flashy emporiums of Chinese-inspired clothing, accessories and home furnishings, and a prominent writer and raconteur in Hong Kong and Britain, died on Tuesday in London. He was 63.
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03.06.17China’s Congress Meeting Brings Crackdown on Critics
Washington Post
Chinese authorities have shut down activist Ye Haiyan’s blogs and forced her to move from one city to another. Left with few options, she now produces socially conscious paintings to make a living and advocate for the rights of sex workers and...
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11.03.16Ai Weiwei to West: Tackle China on Human Rights Whatever the Cost
Guardian
‘It doesn’t matter it will hurt me or not – do what you think is right’: artist says Beijing has axed rule of law for anyone with contrary political views
The China Africa Project
09.29.16Humanizing the China-Africa Relationship with Film
When independent filmmaker Carl Houston Mc Millan was growing up in the tiny southern African country of Lesotho, he saw firsthand the effects of China’s surging engagement in Africa. Even in this remote country, embedded within South Africa, far...
The NYRB China Archive
09.29.16‘The Songs of Birds’
from New York Review of Books
Day and night,I copy the Diamond Sutraof Prajnaparamita.My writing looks more and more square.It proves that I have not gone entirelyinsane, but the tree I drewhasn’t grown a leaf.—from “I Copy the Scriptures,” in Empty ChairsEvery month, the...
The NYRB China Archive
04.07.16If Mao Had Been a Hermit
from New York Review of Books
At the annual meeting of BookExpo America that was held in New York last May, to which most leading U.S. publishers sent representatives, state-sponsored Chinese publishers were named “guests of honor.” Commercially speaking, this made sense. China’...
Excerpts
03.22.16Beyond ‘Chicken or Beef’ Choices in China Debates
Growing up in California with no special interest in China, one of the few things I associated with the big country across the Pacific was mix-and-match meal creation. On airplanes and in school cafeterias, you just had “chicken or beef” choices,...
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11.23.15Q. and A.: Jindong Cai on ‘Beethoven in China’
New York Times
Jindong Cai, 59, is an orchestra conductor and a professor at Stanford University.
Culture
10.26.15Xi Jinping on What’s Wrong with Contemporary Chinese Culture
from China Film Insider
At the Beijing Forum on Literature and Art last October, President Xi Jinping spoke to a high-level audience of arts professionals about the role of arts and culture in China. The event, along with excerpts of the October 15, 2014 speech, given in...
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10.15.15Mao and Other Cultural Inspirations
New York Times
“An army without culture is a dull-witted army,” Mao Zedong wrote, “and a dull-witted army cannot defeat the enemy.”
ChinaFile Recommends
10.08.15In ‘The Assassin,’ a Director Blends the Fantastical and the Realistic
New York Times
The director has made a film rooted in martial arts, but with imagery and settings that make “The Assassin” feel almost painterly.
Culture
10.07.15Jia Zhangke on Finding Freedom in China on Film
Jia Zhangke is among the most celebrated filmmakers China has ever produced—outside of China. His 2013 film, A Touch of Sin, a weaving-together of four tales of violence ripped from modern-day newspaper headlines, won the Best Screenplay award at...
The NYRB China Archive
09.12.15‘I Try to Talk Less’: A Conversation with Ai Weiwei and Liao Yiwu
from New York Review of Books
In late July, Chinese authorities renewed travel privileges for conceptual artist and political activist Ai Weiwei, ending a five-year prohibition following his arrest in 2011. He promptly flew to Munich and then Berlin, where he has accepted a...
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09.10.15China: Through the Looking Glass
Maura Cunningham
Orientalism is generally understood as a bad thing. What the “Through the Looking Glass” exhibit designers attempted to do was reclaim Orientalism, demonstrating that Western designers might only have a superficial understanding of China, but that...
Culture
09.09.15The Met Goes to China
In July, while in New York, I toured The Metropolitan Museum of Art’s much buzzed about “China: Through the Looking Glass,” a visually stunning multimedia exhibit that showcases the varied ways that Western fashion designers have been inspired by...
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07.22.15Chinese Art Curator Admits to Faking Masterpieces
Wall Street Journal
A prestigious art institute in Guangzhou has discovered that it had forged artwork in its collection — faked by none other than one of its curators.
Sinica Podcast
05.18.15Leonard Bernstein and China
from Sinica Podcast
This week on Sinica, Kaiser Kuo and David Moser are delighted to host Alexander Bernstein, son of Leonard Berstein and director of the Bernstein Family Foundation, who is now in China on part of a cultural tour. Accompanied by Alison Friedman of...
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01.15.15China Is Using ‘Charlie Hebdo’ to Justify Its Own Crackdown on Free Speech
New Republic
“The world is diverse and there should be limits on press freedom,” read the editorial by Paris bureau chief Ying Qiang. “Unfettered and unprincipled satire, humiliation, and free speech are not acceptable.”
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01.09.15Drawing the News: Wo Shi Chali (Je Suis Charlie)
China Digital Times
Chinese cartoonists and netizens have responded quickly to the slaying of cartoonists and editors at the French satirical newspaper Charlie Hebdo yesterday. Masked gunmen entered the offices of the journal and fired automatic weapons at staff in an...
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01.05.15Beijing’s Art Scene Raises Its Profile
New York Times
On a recent Sunday afternoon in the sunken terrace of Beijing’s sleek Opposite House Hotel, an art event was in full swing. The wine was chilling, the dumplings steaming and a few dozen locals and foreigners were looking on with curiosity as the...
Conversation
11.12.14Xi Jinping’s Culture Wars
Given China’s tightening restrictions on film, TV, art, writing, and journalism, and the reverberations from President Xi Jinping’s recent speech on culture, we asked contributors why they think Beijing has decided to ramp up its involvement in the...
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11.10.14‘A Map of Betrayal,’ by Ha Jin
New York Times
Many years ago, the F.B.I. coined an acronym, MICE, to describe the motivations of the spy. This stands for Money, Ideology, Compromise and Ego. All spies, it is argued, are drawn into espionage by some combination of these factors.
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11.04.14In Pictures: Designed in China
BBC
The Guo Shoujing Telescope, or Large Sky Area Multi-Object Fiber Spectroscopic Telescope, is named after the 13th Century Chinese astronomer and is aimed at bringing Chinese astronomy into the 21st Century.
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10.27.14Why China Chose a French-Directed Film as Its Oscar Submission
Wall Street Journal
“It’s a mild, breezy, accessible, feel-good drama which really pictures China as a harmonious, wonderful place where conflicts of various stripes—across age, class or geographical divides—could easily be reconciled,” said Clarence Tsui, a film...
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10.24.14Zhou Xiaoping, Director of History
China Digital Times
Since nationalistic blogger Zhou Xiaoping’s “positive energy” won accolades from Xi Jinping at the Beijing Forum on Literature in Art last week, he has been the subject of much netizen scrutiny, and some have taken him to task for his blatant...
Culture
09.23.14Contact Lenses
Will we all become “Chinese?” International New York Times correspondent Didi Kirsten Tatlow ironically asked recently. The question plays both on our fears over China’s economic power and on reflections on the NSA files released by Edward Snowden...
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04.23.14Artist at Center of Multimillion Dollar Forgery Scandal Turns Up in China
Guardian
Pei-Shen Qian, acccused, along with two Spanish brokers, of conning New York art collectors, will likely escape extradition.
Media
04.17.14Ai Weiwei’s Reach Draws New Yorkers’ Attention to Free Speech
“Ai Weiwei retweeted me!” exclaimed a young blonde woman, laughing and waving her iPhone in the air with excitement. She and some two hundred other New Yorkers had gathered on the steps of the Brooklyn Public Library at Grand Army Plaza to show her...
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03.11.14Giant Birds ‘Fly’ Inside St. John the Divine
WNYC
Two giant birds Chinese artist Xu Bing created out of tools and debris are hanging inside The Cathedral of St. John the Divine in Morningside Heights.
ChinaFile Recommends
01.07.14A New Exhibit at the Metropolitan Museum Puts a Modern Face on Chinese Art
Daily Beast
The art world has embraced the evolution of Western art, but when it comes to China, we seem stuck in the past. A new exhibit at the Met wants to shake up these stereotypes.
Sinica Podcast
12.27.13Sinica Goes to the Movies
from Sinica Podcast
As much as expats in China like to complain about the state of Chinese film and television, this week Kaiser and Jeremy remind us that there is a lot of great art out there, too, in a show that asks the critical question of: what is worth our...
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12.16.13Landmark Exhibition of Chinese Contemporary Art Opens at Metropolitan Museum of Art
Art Daily
A major loan exhibition of contemporary Chinese art presenting works by 35 artists born in China is now on view at The Metropolitan Museum of Art, including 70 works in various media from the past three decades, from artists such as Xu Bing, Zhang...
Sinica Podcast
12.13.13From the Underground to the Internet—Contemporary Art in China
from Sinica Podcast
In the late 1990s, the visual arts in China operated on the fringes of society, and those who dared to flirt with public prominence risked finding themselves on the disapproving end of a government clampdown. And yet how different things seem today...
Media
11.27.13China’s Favorite Villainess
Many U.S. viewers identify with serial killer Morgan Dexter of Dexter, inveterate womanizer Don Draper of Mad Men, or family man turned meth kingpin Walter White of Breaking Bad—however morally bankrupt they may be. Now, China has its own anti-hero...
Culture
11.22.13A Homecoming
Shot in big cities and small towns across China in recent years, Shen Wei’s photographic project “Chinese Sentiment” is a personal journey to recapture bygone Chinese life in both private and public space. Born and raised in Shanghai, Shen Wei...
Excerpts
11.22.13Shen Wei’s ‘Chinese Sentiment’
When Shen Wei was growing up in Shanghai during the nineteen-eighties and nineties, his mother worked as a fashion designer who specialized in calendars. If a company wanted to publish one, they hired Shen Wei’s mother, and she designed clothes for...
Media
11.05.13China and Hollywood by the Numbers
Consider this: Hollywood studios now make more money selling movie tickets in China than in any other market outside North America. Wanda, China’s largest real estate developer, bought AMC, the second-largest movie theater chain in the United States...
Sinica Podcast
08.09.13Alison Friedman on China and the Arts
from Sinica Podcast
The last ten years have seen a genuine transformation in China’s arts world, as a large sector that used to be dependent almost exclusively on government funding has been downsized into the maelstrom of the market, leaving survivors to navigate not...
Culture
06.18.13“Walk A Pig on My Bike (2012)”
“Walk A Pig on My Bike (2012),” from their double-disc second album Some Other Scenery (2012), is a new rendition of an earlier song by the Guangzhou-based folk band Wu Tiao Ren. The twenty-one songs from this album (nineteen, including this one,...
Culture
06.18.13“Water Runs East for Ten Years, Water Runs West for Ten Years”
“Water Runs East for Ten Years, Water Runs West for Ten Years” is a song by the Guangzhou-based folk band Wu Tiao Ren from their first album, A Tale of Haifeng (2009). The songs on this album celebrate the sentiments and everyday lives of small-town...
Sinica Podcast
06.14.13China in Images and Words
from Sinica Podcast
This week on Sinica, Kaiser Kuo and Jeremy Goldkorn are delighted to host Matthew Niederhauser. A photographer focusing on urban development in China, Matthew has been published in various journals including The New Yorker, National Geographic, The...
Culture
03.06.13Lei Lei: A Sketch of the Animator As a Young Man
Lei Lei, a.k.a. Ray Lei, 27, is one of the best-known animators in China. Unlike many other smart kids of his generation who graduated from China’s top universities, he went off the beaten path early in his career and never turned back. In a country...
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11.11.12China, at Party Congress, Touts its Cultural Advances
New York Times
Party guidance is the "soul” of China's moves to privitize and promote industries that can spread soft power abroad.
Culture
02.28.12The Educators
from Leap
The question of art education in China, like just about every question in China, is a complicated one, tied to the myriad issues facing a society in the throes of a massive transition. There is no easy solution, and acknowledging the obstacles is a...
Culture
10.01.11Bishan Harvestival
from Leap
One can almost imagine Bishan in its heyday. On the evening of August 26, 2011 the village’s daytime enthusiasm gushes towards the Yi County Cinema. It’s the kind of movie theater almost every small town has had, but Bishan’s has somehow managed to...
Books
03.15.10Art, Politics and Commerce in Chinese Cinema
Art, politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of the twelve chapters treats a particular history, development, genre, filmmaker or generation of filmmakers, adding up to a distinctively comprehensive rendering of Chinese cinema. The book illuminates China’s changing state-society relations, the trajectory of marketization and globalization, the effects of China’s stark historical shifts, Hollywood’s role, the role of nationalism, and related themes of interest to scholars of Asian studies, cinema and media studies, political science, sociology, comparative literature and Chinese language. Contributors include Ying Zhu, Stanley Rosen, Seio Nakajima, Zhiwei Xiao, Shujen Wang, Paul Clark, Stephen Teo, John Lent, Ying Xu, Yingjin Zhang, Bruce Robinson, Liyan Qin, and Shuqin Cui. —Hong Kong University Press