Why the U.S. Needs to Listen to China
on May 21, 2015
And why China needs to listen to the U.S. The importance of the mutual economic criticisms between two major world powers.
And why China needs to listen to the U.S. The importance of the mutual economic criticisms between two major world powers.
This week, a new PEN American Center report “Censorship and Conscience: Foreign Authors and the Challenge of Chinese Censorship,” by Alexa Olesen, draws fresh attention to a perennial problem for researchers, scholars, and creative writers trying to reach readers in China. The lure of China’s book market is powerful—revenues are projected to top $16 billion this year—but at what cost to freedom of expression?—The Editors
Sam Pa is a mysterious man, largely unknown to the outside world. Yet Pa, who goes by at least seven different aliases, represents the nefarious side of China’s engagement in Africa. Sam Pa and his associates in the Hong Kong-based consortium known as the 88 Queensway Group represent a new breed of predatory investors who work in the shadows to close billions of dollars in questionable deals that have no oversight of any kind.
The military should not only safeguard traditional national sovereignty and security, but also “protect ideological and political security on the invisible battleground of the Internet”.
Liu Xiaobo’s arrest was cut from the Chinese translation of Auster’s novel without his knowledge.
Sister Feng, whose real name is Luo Yufeng, is an Internet celebrity with more than 4.7 million followers on Sina Weibo
China is the world’s largest energy consumer, and its energy use is dirty and inefficient. But it is working hard to change that. Currently, coal accounts for nearly 70 percent of China’s total energy consumption, and this, coupled with an aging manufacturing infrastructure, a growing fleet of cars on the roads, and inefficiently insulated buildings, is the main reason why China alone produces almost 30 percent of world CO2 emissions.
From their website:
From Nobel laureates to debut novelists, international translations to investigative journalism, each themed issue of Granta turns the attention of the world’s best writers on to one aspect of the way we live now. Granta does not have a political or literary manifesto, but it does have a belief in the power and urgency of the story and its supreme ability to describe, illuminate and make real. Granta magazine was founded in 1889 by students at Cambridge University as The Granta, a periodical of student politics, badinage and literary enterprise, named after the river that runs through the town. In this original incarnation it published the work writers like A.A. Milne, Michael Frayn, Stevie Smith, Ted Hughes and Sylvia Plath.
In 1979, Bill Buford transformed Granta from a student publication to the literary quarterly it remains today. Granta Books came ten years later, quickly becoming one of the most independent-minded and prestigious literary publishers in the UK. Granta’s Best of Young issues, released decade by decade, introduce the most important voices of each generation – in Britain, America, Brazil and Spain – and have been defining the contours of the literary landscape since 1983. As the Observer writes: ‘In its blend of memoirs and photojournalism, and in its championing of contemporary realist fiction, Granta has its face pressed firmly against the window, determined to witness the world.’
Few rivers have captured the soul of a nation more deeply than the Yellow River. Historically a symbol of enduring glory, a force of nature both feared and revered, it has provided water for life downstream for thousands of years.