Lost in China’s Exploding Future

Ian Buruma from New York Review of Books
Chinese director Jia Zhangke’s new movie, Mountains May Depart, begins with a disco dance in a bleak mining town to the sounds of “Go West” by the Pet Shop Boys. It is the lunar New Year, 1999. Outside, the end of the millennium is celebrated in a...

Chinese Director’s Film For Greenpeace Shows How Smog Changes Everything

Matt Sheehan
Huffington Post
The film follows families from Hebei, in heavily polluted industrial northern China, and from Beijing, the prosperous Chinese capital next door, that has seen epic pollution emergencies recently.

Seeking More From Chinese Films

Didi Kirsten Tatlow
New York Times
The China Film Directors’ Guild said it would not award a top prize for film or director of the year because Chinese films need to meet “a higher standard,” said director Feng Xiaogang. 

Media

03.01.14

China’s Oscar Challenge

Jonathan Landreth
On January 3, the film critics of The New York Times published their Oscar nominations wish list. Many of their wishes came true and on Sunday night, March 2, the Academy of Motion Picture Arts and Sciences will broadcast its annual celebration of...

The Critics Choose Their Oscar Nominees

NYT
New York Times
Two of three New York Times film critics would nominate “Touch of Sin” for Best Picture and Jia Zhangke for Best Director in this year’s Oscars. 

Unhinged in China

Ian Johnson
New York Review of Books
“A Touch of Sin” is made up of four interlocking stories that are meant to encompass the geographic sweep of China, and what director Jia Zhangke sees as the epidemic of violence and amorality in modern Chinese life. 

Unhinged in China

Ian Johnson from New York Review of Books
In one of the central scenes in Jia Zhangke’s new film, a young man working in the southern Chinese manufacturing city of Dongguan goes to an ATM and finds that he’s broke. He’s just spent the past month betraying his friends and hopping from job to...

‘A Touch of Sin,’ Four Tales from China by Jia Zhangke

Manohla Dargis
New York Times
A blistering fictionalized tale straight out of China, “A Touch of Sin” is at once monumental and human scale. A story of lives rocked by violence, it has the urgency of a screaming headline but one inscribed with emotional weight...

Media

10.02.13

ChinaFile Presents: Jia Zhangke on “A Touch of Sin”

On September 30 at Asia Society in New York City, film director and screenwriter Jia Zhangke and his wife, muse, and frequent leading lady on screen, actress Zhao Tao, joined Asia Society’s Film Curator La Frances Hui and journalist Emily Parker to...

Conversation

09.27.13

Can China’s Leading Indie Film Director Cross Over in America?

Jonathan Landreth, Michael Berry & more
Jonathan Landreth:Chinese writer and director Jia Zhangke’s A Touch of Sin won the prize for the best screenplay at the Cannes Film Festival in May. Though the dialogue and its fine translation and English subtitles by Tony Rayns are exemplary, I...

Filmmaker Giving Voice to Acts of Rage in Today’s China

Edward Wong
New York Times
When Sina Weibo made filmmaker Jia Zhangke aware of just how many ordinary Chinese were being provoked by power-abusing members of society to commit acts of bloodshed, he decided to adapt his martial arts film to reflect the issues of the...