Literature

In this groundbreaking and authoritative study, Chloë Starr explores key writings of Chinese Christian intellectuals, from philosophical dialogues of the late imperial era to micro-blogs of pastors in the 21st century. Through a series of close textual readings, she sheds new light on such central issues in Chinese theology as Christian identity and the evolving question of how Christians should relate to society and state.Reading these texts in their socio-political and traditional literary contexts, Starr opens a new conversation about the nature of Chinese theology and the challenge it offers to a broad understanding of how theology is created and contextualized. Concentrating on those theologians who have engaged most actively with their cultural and political milieus, Starr argues throughout her readings, as she examines how Chinese literary traditions and reading patterns have shaped Chinese theology, that text is as important as context. —Yale University Press{chop}

Lao She remains revered as one of China’s great modern writers. His life and work have been the subject of volumes of critique, analysis and study. However, the four years the young aspiring writer spent in London between 1924 and 1929 have largely been overlooked. Dr. Anne Witchard, a specialist in the modernist milieu of London between the wars, reveals Lao She’s encounter with British high modernism and literature from Dickens to Conrad to Joyce. Lao She arrived from his native Peking to the whirl of London’s West End scene—Bloomsburyites, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of The Golden Calf. Immersed in the West End 1920s world of risqué flappers, the tabloid sensation of England’s “most infamous Chinaman Brilliant Chang” and Anna May Wong’s scandalous film Piccadilly, simultaneously Lao She spent time in the notorious and much sensationalised East End Chinatown of Limehouse. Out of his experiences came his great novel of London Chinese life and tribulations—Mr. Ma and Son: Two Chinese in London. However, as Witchard reveals, Lao She’s London years affected his writing and ultimately the course of Chinese modernism in far more profound ways. —Hong Kong University Press