Bendigo Advertiser

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From their website:

The Bendigo Advertiser has delivered trusted news to the people of central Victoria since 1853.

Arthur Moore Lloyd and Robert Ross Haverfield founded the newspaper on the goldfields with Haverfield the founding editor.

The first issue of the Bendigo Advertiser and Sandhurst Commerical Courier appeared as a single sheet, 17 inches by 11 inches, on December 9, 1853.

The production cost of the 500-copy print run for the first edition was 18 pounds and the newspaper cover price was equal to five cents in today's value.

Four months after that first edition, the Bendigo Advertiser grew to four pages.
In 1855, the Bendigo Advertiser was acquired by young Sydney reporter Angus Mackay in partnership with Irish barristers John Henderson and James Joseph Casey.

Humor in China

Feel that your jokes have been falling flat lately? Enough that you’ve even started wondering whether China is a grand experiment in irony and deadpan humor? This week on Sinica, hosts Kaiser Kuo and Jeremy Goldkorn are delighted to invite guests David Moser and Jesse Appell on our show for a discussion on the differences between Chinese and American senses of humor, asking why these two cultures feel so different and where—if anywhere—they meet?

Lao She in London

Lao She remains revered as one of China’s great modern writers. His life and work have been the subject of volumes of critique, analysis and study. However, the four years the young aspiring writer spent in London between 1924 and 1929 have largely been overlooked. Dr. Anne Witchard, a specialist in the modernist milieu of London between the wars, reveals Lao She’s encounter with British high modernism and literature from Dickens to Conrad to Joyce. Lao She arrived from his native Peking to the whirl of London’s West End scene—Bloomsburyites, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of The Golden Calf. Immersed in the West End 1920s world of risqué flappers, the tabloid sensation of England’s “most infamous Chinaman Brilliant Chang” and Anna May Wong’s scandalous film Piccadilly, simultaneously Lao She spent time in the notorious and much sensationalised East End Chinatown of Limehouse. Out of his experiences came his great novel of London Chinese life and tribulations—Mr. Ma and Son: Two Chinese in London. However, as Witchard reveals, Lao She’s London years affected his writing and ultimately the course of Chinese modernism in far more profound ways. —Hong Kong University Press