History

Royal Navy submarine HMS Poseidon sank in collision with a Chinese freighter during routine exercises in 1931 off Weihaiwei. Thirty of its fifty-six-man crew scrambled out of the hatches as it went down. Of the twenty-six who remained inside, eight attempted to surface using "Davis gear," an early form of diving equipment: six of them made it safely to the surface in the first escape of this kind in submarine history and became heroes. The incident was then forgotten, eclipsed by the greater drama that followed in World War II, until news emerged that, for obscure reasons, the Chinese government had salvaged the wrecked submarine in 1972. This lively account of the Poseidon incident tells the story of the accident and its aftermath, and of the author’s own quest to find out about the 1972 salvage. —Hong Kong University Press {chop}{node, 4183, 3}

On June 6, 1946, at 5pm, after stepping out of the office of the Democratic Weekly, Wen Yiduo died in a hail of bullets. Mao blamed the Nationalists and transformed Wen into a paragon of the revolution.Wen was born into a well-to-do family in Hubei, China, and received a classical education. But he came of age as old imperial China and its institu­tions were being swept away, and the Chinese people were looking ahead to a new China. It was fertile ground for a young poet.In 1922, Wen came to the U.S. and studied art and literature at the Art Institute of Chicago. It was during this period that his first collection of poetry was published, Hongzu or “Red Candle.” He returned to China in 1925 and took a position as a university professor and became active in the political and aesthetic debates of the time. His second collection of poems, Sishui, rendered by previous translators as “Dead Water,” was published in 1928.As political trends shifted from an intellectual, elitist base toward a populist one, changes in literature were just as pervasive. Wen was one of the leaders of a movement to reform Chinese poetry—hitherto written in a classical style with a diction and rhetoric so far removed from everyday usage that it had segregated itself from all but the wealthy and the well educated—by adapting common speech and direct observation, while maintaining a strict, albeit new, formalism.However, Wen never resolved the conflicts that existed within him: The elitist and the proletarian, the scholar and the activist, the traditionalist and the innovator, the personal man and the public man, fought for ascendancy. Yet it was these contradictions that proved so fruitful and give his poetry its singular power. —Bright City Books {chop}

When China hosted the 2008 Summer Olympics—and amazed international observers with both its pageantry and gold-medal count—it made a very public statement about the country’s surge to global power. Yet, China has a much longer history of using sport to communicate a political message. Sporting Gender is the first book to explore the rise to fame of female athletes in China during its national crisis of 1931-45 brought on by the Japanese invasion. By re-mapping lives and careers of individual female athletes, administrators, and film actors within a wartime context, Gao shows how these women coped with the conflicting demands of nationalist causes, unwanted male attention, and modern fame. While addressing the themes of state control, media influence, fashion, and changes in gender roles, she argues that the athletic female form helped to create a new ideal of modern womanhood in China at time when women’s emancipation and national needs went hand in hand. This book brings vividly to life the histories of these athletes and demonstrates how intertwined they were with the aims of the state and the needs of society. —University of British Columbia Press{chop}