Media

Princeton University Press: As authoritarian governments around the world develop sophisticated technologies for controlling information, many observers have predicted that these controls would be ineffective because they are easily thwarted and evaded by savvy Internet users. In Censored, Margaret Roberts demonstrates that even censorship that is easy to circumvent can still be enormously effective. Taking advantage of digital data harvested from the Chinese Internet and leaks from China’s Propaganda Department, this book sheds light on how and when censorship influences the Chinese public.Roberts finds that much of censorship in China works not by making information impossible to access but by requiring those seeking information to spend extra time and money for access. By inconveniencing users, censorship diverts the attention of citizens and powerfully shapes the spread of information. When Internet users notice blatant censorship, they are willing to compensate for better access. But subtler censorship, such as burying search results or introducing distracting information on the web, is more effective because users are less aware of it. Roberts challenges the conventional wisdom that online censorship is undermined when it is incomplete and shows instead how censorship’s porous nature is used strategically to divide the public.Drawing parallels between censorship in China and the way information is manipulated in the United States and other democracies, Roberts reveals how Internet users are susceptible to control even in the most open societies. Demonstrating how censorship travels across countries and technologies, Censored gives an unprecedented view of how governments encroach on the media consumption of citizens.{chop}

Cambridge University Press: How did China’s Communist revolution transform the nation’s political culture? In this rich and vivid history of the Mao period (1949-1976), Denise Y. Ho examines the relationship between its exhibitions and its political movements. Case studies from Shanghai show how revolution was curated: museum workers collected cultural and revolutionary relics; neighborhoods, schools, and work units mounted and narrated local displays; and exhibits provided ritual space for ideological lessons and political campaigns. Using archival sources, ephemera, interviews, and other materials, Ho traces the process by which exhibitions were developed, presented, and received. Examples under analysis range from the First Party Congress Site and the Shanghai Museum to the “class education” and Red Guard exhibits that accompanied the Socialist Education Movement and the Cultural Revolution. Operating in two modes—that of a state in power and that of a state in revolution—Mao era exhibitionary culture remains part of China’s revolutionary legacy.{chop}Related Reading:“The Double Helix of Chinese History and Its Powerful Leader,” Denise Y. Ho, The Japan Times, March 20, 2018“Fifty Years Later, How Is the Cultural Revolution Still Present in Life in China?,” ChinaFile Conversation, ChinaFile, April 19, 2016“The Cultural Revolution at 50 — A Q&A with Four Specialists (Part Two),” Alexander C. Cook, Los Angeles Review of Books, March 2, 2016“The Cultural Revolution at 50: A Q&A with Four Specialists (Part One),” Alexander C. Cook, Los Angeles Review of Books, February 24, 2016“Chairman Mao’s Everyman Makeover,” Denise Y. Ho and Christopher Young, The Atlantic, December 19, 2013Author’s Recommendations:The Gender of Memory, Gail Hershatter (University of California, 2014)Anyuan: Mining China’s Revolutionary Tradition, Elizabeth Perry (University of California, 2012)The Temple of Memories, Jun Jing (Cambridge University, 1996)