Chinese Communist Party

Oxford University Press: Since the 1990s, Beijing’s leaders have firmly rejected any fundamental reform of their authoritarian one-party political system, even as a decades-long boom has reshaped China’s economy and society. On the surface, their efforts have been a success. Political turmoil has toppled former communist Eastern Bloc regimes, internal unrest overtaken Middle East nations, and populist movements risen to challenge established Western democracies. China, in contrast, has appeared a relative haven of stability and growth.But as Carl Minzner shows, a closer look at China’s reform era reveals a different truth. Over the past three decades, a frozen political system has fueled both the rise of entrenched interests within the Communist Party itself and the systematic underdevelopment of institutions of governance among state and society at large. Economic cleavages have widened. Social unrest has worsened. Ideological polarization has deepened.{node, 45901}Now, to address these looming problems, China’s leaders are progressively cannibalizing institutional norms and practices that have formed the bedrock of the regime’s stability in the reform era. Technocratic rule is giving way to black-box purges; collective governance sliding back towards single-man rule. The post-1978 era of “reform and opening up” is ending. China is closing down. Uncertainty hangs in the air as a new future slouches towards Beijing to be born. End of an Era explains how China arrived at this dangerous turning point, and outlines the potential outcomes that could result. {chop}

Finding Women in the State is a provocative hidden history of socialist state feminists maneuvering behind the scenes at the core of the Chinese Communist Party. These women worked to advance gender and class equality in the early People’s Republic and fought to transform sexist norms and practices, all while facing fierce opposition from a male-dominated Chinese Communist Party leadership, from the local level to the central level. Wang Zheng extends this investigation to the cultural realm, showing how feminists within China’s film industry were working to actively create new cinematic heroines, and how they continued a New Culture anti-patriarchy heritage in socialist film production. This book illuminates not only the different visions of revolutionary transformation but also the dense entanglements among those in the top echelon of the Party. Wang discusses the causes for failure of China’s socialist revolution and raises fundamental questions about male dominance in social movements that aim to pursue social justice and equality. This is the first book engendering the People’s Republic of China high politics and has important theoretical and methodological implications for scholars and students working in gender studies as well as China studies. —University of California Press{chop}