History

This lavishly illustrated volume explores the history of China during a period of dramatic shifts and surprising transformations, from the founding of the Qing Dynasty (1644-1912) through to the present day.The Oxford Illustrated History of Modern China promises to be essential reading for anyone who wants to understand this rising superpower on the verge of what promises to be the “Chinese century,” introducing readers to important but often overlooked events in China’s past, such as the bloody Taiping Civil War (1850-1864), which had a death toll far higher than the roughly contemporaneous American Civil War. It also helps readers see more familiar landmarks in Chinese history in new ways, such as the Opium War (1839-1842), the Boxer Uprising of 1900, the rise to power of the Chinese Communist Party in 1949, and the Tiananmen protests and Beijing Massacre of 1989.This is one of the first major efforts—and in many ways the most ambitious to date—to come to terms with the broad sweep of modern Chinese history, taking readers from the origins of modern China right up through the dramatic events of the last few years (the Beijing Games, the financial crisis, and China’s rise to global economic pre-eminence) which have so fundamentally altered Western views of China and China’s place in the world. —Oxford University Press{chop}

From the clipper ships that ventured to Canton hauling cargos of American ginseng to swap for Chinese tea, to the U.S. warships facing off against China’s growing navy in the South China Sea, from the Yankee missionaries who brought Christianity and education to China, to the Chinese who built the American West, the United States and China have always been dramatically intertwined. For more than two centuries, American and Chinese statesmen, merchants, missionaries, and adventurers, men and women, have profoundly influenced the fate of these nations. While we tend to think of America’s ties with China as starting in 1972 with the visit of President Richard Nixon to China, the patterns—rapturous enchantment followed by angry disillusionment—were set in motion hundreds of years earlier.Drawing on personal letters, diaries, memoirs, government documents, and contemporary news reports, John Pomfret reconstructs the surprising, tragic, and marvelous ways Americans and Chinese have engaged with one another through the centuries. A fascinating and thrilling account, The Beautiful Country and the Middle Kingdom is also an indispensable book for understanding the most important—and often the most perplexing—relationship between any two countries in the world. —Henry Holt{chop}

It’s 1983. Scott Savitt, one of the first American exchange students in Beijing, picks up his guitar and begins strumming “Blackbird.” He’s soon surrounded by Chinese students who know every word to every Beatles song he plays. Savitt stays on in Beijing, working as a reporter for Asiaweek Magazine. The city’s first nightclubs open; rock ‘n’ roll promises democracy. Promoted to foreign correspondent for The Los Angeles Times and then United Press International, Savitt finds himself drawn into China’s political heart. His girlfriend is the assistant to Bette Bao Lord, the wife of the U.S. ambassador. He interviews people who will become leaders of the democracy movement.Later, at 25 years old, Savitt is the youngest accredited foreign correspondent in China, with an intimate knowledge of Beijing’s backstreets. But as the seven-week occupation of Tiananmen Square ends in bloodshed on June 4, 1989, his greatest asset is his flame-red 500cc Honda motorcycle—giving Savitt the freedom to witness first-hand what the Chinese government still denies ever took place. After Tiananmen, Savitt founds the first independent English-language newspaper in China, Beijing Scene. He knows that it’s only a matter of time before the authorities move in, and sure enough, in 2000 he’s arrested, flung into solitary confinement and, after a month in jail, deported.Savitt’s extraordinary memoir of his two decades in China manages to take an extremely complex political-historical subject and turn it into an adventure story. —Soft Skull{chop}

Raised to be “flowers of the nation,” the first generation born after the founding of the People’s Republic of China was united in its political outlook and ambitions. Its members embraced the Cultural Revolution of 1966 but soon split into warring factions. Guobin Yang investigates the causes of this fracture and argues that Chinese youth engaged in an imaginary revolution from 1966 to 1968, enacting a political mythology that encouraged violence as a way to prove one’s revolutionary credentials. This same competitive dynamic would later turn the Red Guard against the communist government.Throughout the 1970s, the majority of Red Guard youth were sent to work in rural villages. These relocated revolutionaries developed an appreciation for the values of ordinary life, and an underground cultural movement was born. Rejecting idolatry, their new form of resistance marked a distinct reversal of Red Guard radicalism and signaled a new era of enlightenment, culminating in the Democracy Wall movement of the late 1970s and, finally, the Tiananmen protest of 1989. Yang completes his significant recasting of Red Guard activism with a chapter on the politics of history and memory, arguing that contemporary memories of the Cultural Revolution are factionalized along the lines of political division that formed 50 years before. —Columbia University Press{chop}

The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called “histories of laughter.” In the first years of the Republic, novelists, essayists, and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor).Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first “age of irreverence.” This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture. —University of California Press{chop}