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China’s huge environmental challenges are significant for us all. They affect not only the health and well-being of China but the very future of the planet. In this trailblazing book, noted China specialist and environmentalist Judith Shapiro investigates China’s struggle to achieve sustainable development against a backdrop of acute rural poverty and soaring middle class consumption. Using five core analytical concepts to explore the complexities of this struggle - the implications of globalization, the challenges of governance; contested national identity, the evolution of civil society and problems of environmental justice and equity - Shapiro poses a number of pressing questions: Do the Chinese people have the right to the higher living standards enjoyed in the developed world? Are China’s environmental problems so severe that they may shake the government’s stability, legitimacy and control? To what extent are China’s environmental problems due to patterns of Western consumption? And in a world of increasing limits on resources and pollution “sinks,” is it even possible to build an equitable system in which people enjoy equal access to resources without taking them from successive generations, from the poor, or from other species?China and the planet are at a pivotal moment; the path towards a more sustainable development model is still open. But - as Shapiro persuasively argues - making this choice will require humility, creativity, and a rejection of business as usual. The window of opportunity will not be open much longer. —Polity

China’s arrival on the world scene in the 1990s was the largest part of globalization. It brought many benefits worldwide: lower prices to Western consumers, large profits to multinationals, huge windfalls to commodity-rich countries, and employment and strong export growth to China. China’s emergence as a major global supplier and trader helped to create a boom which brought global growth with lower inflation and, for a time, an illusory stability, and also made China into the largest financer of the developed world.But Western politicians, regulators and bankers, their vision limited by national boundaries, did not understand at the time the true causes of the global economic boom of the Millennium. They attributed it largely to a revolution in risk management and their own wise policies. China and the Credit Crisis argues that if the role played in the new prosperity by globalization and an emerging China had been better understood, more appropriate policies and actions may have been adopted by central bankers and regulators which could have avoided the financial crash in 2008, or at least greatly limited its impact.China and the Credit Crisis goes on to examine the larger role that China will continue to play in a post-crisis world.

In China, life is comfortable for the fortunate few. For others, it’s a hand-to-mouth struggle for a full stomach, a place to live, wages for work done, and freedom to speak openly. It’s a place where few things are more important than food; “Have you eaten yet?” is another way of saying hello. After traversing the country and meeting its people, Ang shares her delicious experiences with us. She tells of a clandestine cup of salty yak butter tea with a Tibetan monk during a military crackdown, and explains how a fluffy spring onion omelet encapsulates China’s drive for rural development. You’ll have lunch with some of the country’s most enduring activists, savor meals with earthquake survivors, and get to know a house cleaner who makes the best fried chicken in all of Beijing. Through her reporting, Ang bites into the gaping divide between rich and poor, urban and rural reform, intolerance for dissent, and the growing dissatisfaction with those in power. By serving these topics to us one at a time through the stories of ordinary citizens, To the People, Food Is Heaven provides a fresh perspective beyond the country’s anonymous identity as an economic powerhouse. Ang plates a terrific, wide-ranging feast that is the new China, a country convulsed by change and propelled by aspiration. Have you eaten yet?  —Lyons Press{chop}

In 1992 Deng Xiaoping famously declared, “Development is the only hard imperative.” What ensued was the transformation of China from a socialist state to a capitalist market economy. The spirit of development has since become the prevailing creed of the People’s Republic, helping to bring about unprecedented modern prosperity, but also creating new forms of poverty, staggering social upheaval, physical dislocation, and environmental destruction.In Developmental Fairy Tales, Andrew Jones asserts that the groundwork for this recent transformation was laid in the late nineteenth century, with the translation of the evolutionary works of Lamarck, Darwin, and Spencer into Chinese letters. He traces the ways that the evolutionary narrative itself evolved into a form of vernacular knowledge which dissolved the boundaries between beast and man and reframed childhood development as a recapitulation of civilizational ascent, through which a beleaguered China might struggle for existence and claim a place in the modern world-system.This narrative left an indelible imprint on China’s literature and popular media, from children’s primers to print culture, from fairy tales to filmmaking. Jones’s analysis offers an innovative and interdisciplinary angle of vision on China’s cultural evolution. He focuses especially on China’s foremost modern writer and public intellectual, Lu Xun, in whose work the fierce contradictions of his generation’s developmentalist aspirations became the stuff of pedagogical parable. Developmental Fairy Tales revises our understanding of literature’s role in the making of modern China by revising our understanding of developmentalism’s role in modern Chinese literature.                 —Harvard University Press

Though China is currently in the global spotlight, few outside its borders have a feel for the tremendous diversity of the lives being led inside the country. This collection of compelling stories challenges oversimplified views of China by shifting the focus away from the question of China’s place in the global order and zeroing in on what is happening on the ground. Some of the most talented and respected journalists and scholars writing about China today profile people who defy the stereotypes that are broadcast in print, over the airwaves, and online. These include an artist who copies classical paintings for export to tourist markets, Xi’an migrant workers who make a living recycling trash in the city dumps, a Taoist mystic, an entrepreneur hoping to strike it rich in the rental car business, an old woman about to lose her home in Beijing, and a crusading legal scholar.The immense variety in the lives of these Chinese characters dispels any lingering sense that China has a monolithic population or is just a place where dissidents fight Communist Party loyalists and laborers create goods for millionaires. By bringing to life the exciting, saddening, humorous, confusing, and utterly ordinary stories of these people, the gifted contributors create a multi-faceted portrait of a remarkable country undergoing extraordinary transformations. —University of California Press{chop}

This book is a photographic exploration of life in the old and rapidly disappearing quarters of Shanghai, with accompanying poems and essays by the author of fiction and poetry, Qiu Xiaolong.The photographs, all taken in a documentary style over a period of five years, represent an intimate and invaluable visual natural history of a way of life in the workers quarters and other central districts of the city that held sway throughout the 20th century and into the early years of the 21st century, before yielding to the ambitious ongoing efforts at urban reconstruction.Mr. Qiu, whose best-known books are largely set in this old city, where his protagonist Inspector Chen walks around in investigations, is suited like few others to provide a lyrical accompanying text whose purpose is to celebrate the life, beauty and texture of this world before it has vanished altogether.No photographer has pursued this subject with more dedication and persistence than Mr. French, whose photographs of Shanghai have been exhibited on four continents. Taken together, the work of these two contributors offers compelling esthetics and lasting historical value for lovers of Shanghai, past, present and future.—Homa & Sekey Books

As the twenty-first century dawns, China stands at a crossroads. The largest and most populous country on earth and currently the world’s second biggest economy, China has recently reclaimed its historic place at the center of global affairs after decades of internal chaos and disastrous foreign relations. But even as China tentatively reengages with the outside world, the contradictions of its development risks pushing it back into an era of insularity and instability—a regression that, as China’s recent history shows, would have serious implications for all other nations.In Restless Empire, award-winning historian Odd Arne Westad traces China’s complex foreign affairs over the past 250 years, identifying the forces that will determine the country’s path in the decades to come. Since the height of the Qing Empire in the eighteenth century, China’s interactions—and confrontations—with foreign powers have caused its worldview to fluctuate wildly between extremes of dominance and subjugation, emulation and defiance. From the invasion of Burma in the 1760s to the Boxer Rebellion in the early 20th century to the 2001 standoff over a downed U.S. spy plane, many of these encounters have left Chinese with a lingering sense of humiliation and resentment, and inflamed their notions of justice, hierarchy, and Chinese centrality in world affairs. Recently, China’s rising influence on the world stage has shown what the country stands to gain from international cooperation and openness. But as Westad shows, the nation’s success will ultimately hinge on its ability to engage with potential international partners while simultaneously safeguarding its own strength and stability. —Basic Books

With over 1.2 billion viewers globally, including millions in the United States, China Central Television (CCTV) reaches the world’s single largest audience. The official mouthpiece of the Chinese Communist Party, CCTV is also a dynamic modern media conglomerate, fully reliant on advertising revenue and aggressively competitive both within China and on the global media scene. Yet this hugely influential media player is all but unknown to the west. Two Billion Eyes tells its story for the first time.For this unprecedented look inside CCTV, noted Chinese media expert Ying Zhu has conducted candid interviews with the network’s leading players, including senior executives, noted investigative journalists, and popular news anchors, as well as directors and producers of some of CCTV’s most successful dramatic and current affairs programs.Examining the broader story of CCTV in a changing China over the past quarter century, Two Billion Eyes looks at how commercial priorities and journalistic ethics have competed with the demands of state censorship and how Chinese audiences themselves have grown more critical, even as Party control shows no signs of loosening. A true inside account of one of the world’s most important companies, this is a crucial new book for anyone seeking to understand contemporary China.    —The New Press

Within the past decade, Beijing has debuted as the defining city of the now and foreseeable future, and China as the ascendant global power. Beijing is the ultimate representation of China's political and cultural capital, of its might—and threat. For so long, the city was closed off to the world, literally built around the Forbidden City, the icon of all that was ominous about China. But now, the country is eager to show off its new openness, its glory and magnanimity, and Beijing is its star. When Tom Scocca arrived in 2004—an American eager to see another culture—Beijing was looking toward welcoming the world to its Olympics four years later, and preparations were in full swing to create a renewed city. Scocca talked to the scientists tasked with changing the weather; interviewed designers and architects churning out projects; checked out the campaign to stop public spitting; documented the planting of trees, the rerouting of traffic, the demolition of the old city, and the construction of the new metropolis. Beijing Welcomes You is a glimpse into the future and an encounter with an urban place we do not yet fully comprehend, and the superpower it is essential we get to know better.  —Riverhead Books

The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different—and far more interesting—as revealed in this new history.In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden—sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed fascinating material, sometimes preserved by illiterate locals who recycled official documents to make insoles for shoes or garments for the dead. Hansen explores seven oases along the road, from Xi'an to Samarkand, where merchants, envoys, pilgrims, and travelers mixed in cosmopolitan communities, tolerant of religions from Buddhism to Zoroastrianism. There was no single, continuous road, but a chain of markets that traded between east and west. China and the Roman Empire had very little direct trade. China's main partners were the peoples of modern-day Iran, whose tombs in China reveal much about their Zoroastrian beliefs. Silk was not the most important good on the road; paper, invented in China before Julius Caesar was born, had a bigger impact in Europe, while metals, spices, and glass were just as important as silk. Perhaps most significant of all was the road's transmission of ideas, technologies, and artistic motifs.The Silk Road is a fascinating story of archeological discovery, cultural transmission, and the intricate chains across Central Asia and China.  —Oxford University Press

Rock and roll—rebellious, individualistic, explosive—seems incongruent with modern Chinese society. But as the music has evolved from a Western import into something uniquely Chinese, it has shaped and been shaped by China’s unique system and its relationship with the outside world. Red Rock: The Long, Strange March of Chinese Rock & Roll looks at the people and events that have created Chinese rock’s unique identity, and tracks the music’s long journey from the Mao years to present. After boiling below the surface for over twenty years and now emerging from a thriving underground scene, Chinese rock may be ready to smash its guitars on the global stage.  —Earnshaw Books

China exists today in a liminal realm, caught between the socialist idealism of old and a calamitous drive for wealth spurned by recent free market reforms. This seemingly unbridgeable gap tears at the country’s social fabric while provoking younger generations to greater artistic heights. The unique sound emerging from Beijing’s underground delves deeply into this void, aggressively questioning the moral and social basis of China’s fragile modernity even as it subsists upon it.A formidable new wave of Chinese musicians is taking the city by storm. Revolving around four venues spread across Beijing, a burgeoning group of performers are working outside government-controlled media channels, and in the process, capturing the attention of the international music community. They now constitute a fresh, independent voice in a country renowned for creative conformity and saccharine Cantonese pop. In Sound Kapital, photographer Matthew Niederhauser captures the energy of the personalities and performers at D-22, Yugong Yishan, 2 Kolegas, and Mao Livehouse. These revolutionary Beijing nightclubs remain at the core of the city’s creative explosion by hosting an eclectic mix of punk, experimental, rock, and folk performances.Included with the book are concert posters and illustrations that encapsulate the underground scene in Beijing, as well as a CD sampler of the new music being produced. There is no doubt that these musicians will continue to break ground within Beijing’s nascent artistic landscape, helping to push the boundaries of an already expanding realm of independent thought and musical expression in China.—powerHouse Books

Commodities permeate virtually every aspect of modern daily living, but for all their importance—their breadth, their depth, their intricacies, and their central role in daily life—few people who are not economists or traders know how commodity markets work. Almost every day, newspaper headlines and media commentators scream warnings of impending doom--shortages of arable land, clashes over water, and political conflict as global demand for fossil fuels outstrips supply. The picture is bleak, but our grasp of the details and the macro shifts in commodities markets remain blurry.Winner Take All is about the commodity dynamics that the world will face over the next several decades. In particular, it is about the implications of China’s rush for resources across all regions of the world. The scale of China’s resource campaign for hard commodities (metals and minerals) and soft commodities (timber and food) is among the largest in history. To be sure, China is not the first country to launch a global crusade to secure resources. From Britain’s transcontinental operations dating back to the end of the 16th century, to the rise of modern European and American transnational corporations between the mid 1860’s and 1870’s, the industrial revolution that powered these economies created a voracious demand for raw materials and created the need to go far beyond their native countries.So too is China’s resource rush today. Although still in its early stages, already the breadth of China’s operation is awesome, and seemingly unstoppable. China’s global charge for commodities is a story of China’s quest to secure its claims on resource assets, and to guarantee the flow of inputs needed to continue to drive economic development.  —Basic Books

Arrow Factory is an independently run art space located in a narrow 200-year-old alleyway in the center of Beijing. Founded in 2008, Arrow Factory reclaimed an existing storefront and transformed it into a space for site-specific installations and projects by contemporary artists that are designed to be viewed from the street twenty-four hours a day, seven days a week. Arrow Factory has aimed at reaching a diverse public made up of neighboring residents, as well as local and international art audiences, and has been instrumental in encouraging new avenues for site-oriented artistic production in China.With this publication, audiences are able to view comprehensive documentation of some twenty-eight temporary site-specific works produced by Chinese and international artists at Arrow Factory over the past three years between April 2008 to March 2011. 3 Years: Arrow Factory provides a valuable look into the uniqueness of our contemporary situation, and captures for posterity the fleeting connections that situate Arrow Factory in China’s larger economic, intellectual, and artistic zeitgeist. —Sternberg Press