Photography

This book is a photographic exploration of life in the old and rapidly disappearing quarters of Shanghai, with accompanying poems and essays by the author of fiction and poetry, Qiu Xiaolong.The photographs, all taken in a documentary style over a period of five years, represent an intimate and invaluable visual natural history of a way of life in the workers quarters and other central districts of the city that held sway throughout the 20th century and into the early years of the 21st century, before yielding to the ambitious ongoing efforts at urban reconstruction.Mr. Qiu, whose best-known books are largely set in this old city, where his protagonist Inspector Chen walks around in investigations, is suited like few others to provide a lyrical accompanying text whose purpose is to celebrate the life, beauty and texture of this world before it has vanished altogether.No photographer has pursued this subject with more dedication and persistence than Mr. French, whose photographs of Shanghai have been exhibited on four continents. Taken together, the work of these two contributors offers compelling esthetics and lasting historical value for lovers of Shanghai, past, present and future.—Homa & Sekey Books

China exists today in a liminal realm, caught between the socialist idealism of old and a calamitous drive for wealth spurned by recent free market reforms. This seemingly unbridgeable gap tears at the country’s social fabric while provoking younger generations to greater artistic heights. The unique sound emerging from Beijing’s underground delves deeply into this void, aggressively questioning the moral and social basis of China’s fragile modernity even as it subsists upon it.A formidable new wave of Chinese musicians is taking the city by storm. Revolving around four venues spread across Beijing, a burgeoning group of performers are working outside government-controlled media channels, and in the process, capturing the attention of the international music community. They now constitute a fresh, independent voice in a country renowned for creative conformity and saccharine Cantonese pop. In Sound Kapital, photographer Matthew Niederhauser captures the energy of the personalities and performers at D-22, Yugong Yishan, 2 Kolegas, and Mao Livehouse. These revolutionary Beijing nightclubs remain at the core of the city’s creative explosion by hosting an eclectic mix of punk, experimental, rock, and folk performances.Included with the book are concert posters and illustrations that encapsulate the underground scene in Beijing, as well as a CD sampler of the new music being produced. There is no doubt that these musicians will continue to break ground within Beijing’s nascent artistic landscape, helping to push the boundaries of an already expanding realm of independent thought and musical expression in China.—powerHouse Books

Arrow Factory is an independently run art space located in a narrow 200-year-old alleyway in the center of Beijing. Founded in 2008, Arrow Factory reclaimed an existing storefront and transformed it into a space for site-specific installations and projects by contemporary artists that are designed to be viewed from the street twenty-four hours a day, seven days a week. Arrow Factory has aimed at reaching a diverse public made up of neighboring residents, as well as local and international art audiences, and has been instrumental in encouraging new avenues for site-oriented artistic production in China.With this publication, audiences are able to view comprehensive documentation of some twenty-eight temporary site-specific works produced by Chinese and international artists at Arrow Factory over the past three years between April 2008 to March 2011. 3 Years: Arrow Factory provides a valuable look into the uniqueness of our contemporary situation, and captures for posterity the fleeting connections that situate Arrow Factory in China’s larger economic, intellectual, and artistic zeitgeist. —Sternberg Press 

One of the longest and most dramatic trade routes of the ancient world, the Tea Horse Road carried a crucial exchange for 13 centuries between China and Tibet. China needed war horses to protect its northern frontier, and Tibet could supply them. When the Tibetans discovered tea in the 7th century, it became a staple of their diet, but its origins are in southwest China, and they had to trade for it. The result was a network of trails covering more than 3,000 kilometres through forests, gorges and high passes onto the Himalayan plateaus, traversed by horse, mule and yak caravans, and human porters. It linked cultures, economies and political ambitions, and lasted until the middle of the 20th century. Re-tracing the many branches of the Road, photographer and writer Michael Freeman spent two years compiling this remarkable visual record, from the tea mountains of southern Yunnan and Sichuan to Tibet and beyond. Collaborating on this fascinating account, ethnobotanist Selena Ahmed’s description of tea and bio-cultural diversity in the region draws on her original doctoral research.—River Books