Asia Society's 'Revolutionary Ink' reflects on Wu Guanzhong

"A snake swallowing an elephant" is how the Chinese artist Wu Guanzhong described himself. The snake was the Chinese artist in him, and the elephant was Western art. The stylistic fusion that made him one of China's leading modern artists is on view at the Asia Society Museum here in "Revolutionary Ink: The Paintings of Wu Guanzhong," which also reflects the artist's long life amid the turmoil of China's 20th century.

Zeng Fanzhi: Beneath and Beyond

Record-breaking Chinese artist Zeng Fanzhi looks back on his time at the Hubei Academy of Fine Arts and explains his obsession with calligraphy in this short by Hong Kong-based filmmaker Ringo Tang. Propelled onto the global stage after one work from his seminal Masks series sold for $9.7 millions dollars at a Christie’s auction in 2008, a record for contemporary Asian art, the thoughtful Zeng was captured in his studio over three days of shooting.

China Green

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Over the past three decades, China has dazzled the rest of the world with its stunning, high-speed economic growth. However, rapid urbanization, poverty reduction and transformation of city skylines have come at a grave price: air and water pollution, degraded forests, pasturelands and marine habitats, growing greenhouse gas emissions and a host of other environmental problems.

China Green, a multimedia enterprise, will document China’s environmental issues now and for years to come and will strive to serve as a web forum where people with an interest in China and its environmental challenges can find interesting visual stories and share critical information about the most populous nation in the world whose participation in the solution to global environmental problems, such as climate change, will be indispensable.

Hou Hanru: Super Reality

Shot by photographer Jake Stengel against the backdrop of San Francisco’s famous Chinatown, Hou Hanru discusses the artists and themes guiding China’s contemporary art boom. The largest manifestation of Chinese visual culture outside of Asia, San Francisco’s Chinatown is a perfect example of the curator’s concept of “super reality”—the difference between reality as we experience it and as it is represented—and the globalized hybrid-world that inspires his socially progressive approach. The leading authority on Chinese contemporary art, Hou was one of the earliest curators to tackle the ideas of diaspora, globalization and nomadism central to the 21st-century environment of art fairs, biennials and multinational galleries.

Nowness

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NOWNESS is a movement for creative excellence in storytelling celebrating the extraordinary of every day.  Launched in 2010, NOWNESS’ unique programming strategy has established it as the go to source of inspiration and influence across art, design, fashion, beauty, music, food, and travel. Our curatorial expertise and award-winning approach to storytelling is unparalleled. We work with exceptional talent, and both established and emerging filmmakers which connect our audience to emotional and sensorial stories designed to provoke inspiration and debate.

NOWNESS launched a Chinese-language site in 2012 and since 2013 videos are available in up to 10 languages including English, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Spanish and Russian (just turn on Subtitles on our player).

Ai Weiwei, dissident Chinese artist, and fragments of a cultural past

There’s a map of China in the Sackler lobby. It won’t strike you as a map if you look at it. It’s a structure made of big, dark, wooden beams pinned together with smaller wooden posts, looping around a central area at improbable, disjointed angles, like something a giant child might build with a set of Tinkertoys.</p.

Chinese Cities Prune Plans for Greening

The mass-planting of trees might not seem like a controversial project for a city government. In the port city of Qingdao, however, it has stirred up debate. Complaints abound that newly transplanted catalpa and ginkgo trees are blocking views of the sea, that black pines on pavements are leaving no room for pedestrians, and that trees are being planted in absurd places such as underneath flyovers.