Is China Slowing Down?

With problems in the manufacturing, housing, and export sectors in China, we will likely see slower gross domestic product growth for the world’s second largest economy in 2012. China’s leadership is changing for the first time in a decade, and its new leaders have suggested that significant shifts in economic and currency policy are unlikely to occur during the transition. However, should China’s leadership remain content with slower growth, the global economy will suffer. If China’s growth loses momentum in 2012 and is coupled with similar losses in the United States and Europe, the recovery disappointment could well exceed that which appeared in 2010 and 2011. Despite these challenges, China has a unique opportunity to demonstrate its maturity as a player in the global economy. Through stimulus measures to its own economy, China could push for a bigger global economic pie rather than increase its share of a shrinking pie and in the process influence global economic growth in 2012.

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Caixin Media Company Limited is a media group dedicated to providing financial and business news through periodicals, online content, mobile apps, conferences, books and TV/video programs. Caixin Media aims to blaze a trail that helps traditional media prosper in the new media age through integrated multimedia platforms.

Led by Hu Shuli, who is internationally recognized for her achievements in journalism, the editorial staff at Caixin Media is well-known for independent thinking and professional practices. They are insiders with a profound understanding of China's economic and social transition. They are sharp observers with a global vision. They are the torchbearers of professional journalism, known for providing high-quality, credible content.

Caixin is Mandarin for "financial news." The two-syllable word roughly rhymes with "sigh sheen" in English. A more accurate pronunciation can be rendered by making the Chinese sounds for the letter "c" -- sounds like the "ts" in "hats" -- and the letter "x" - an aspirant made with lips spread and the front of the tongue curled down against nearly closed teeth.

A Story of Invisible Water

A Story of Invisible Water examines the problem of water pollution and drought in the northeastern Chinese province of Hebei. Farmers in Xizhang village claim that for more than twenty years, local factories have polluted the groundwater they use for both drinking and irrigation. According to China's Ministry of Environmental Protection and Ministry of Land and Resources, approximately ninety percent of the groundwater that supplies cities on the North China Plain is polluted.

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The Gender of Memory

What can we learn about the Chinese revolution by placing a doubly marginalized group—rural women—at the center of the inquiry? In this book, Gail Hershatter explores changes in the lives of seventy-two elderly women in rural Shaanxi province during the revolutionary decades of the 1950s and 1960s. Interweaving these women’s life histories with insightful analysis, Hershatter shows how Party-state policy became local and personal, and how it affected women’s agricultural work, domestic routines, activism, marriage, childbirth, and parenting—even their notions of virtue and respectability. The women narrate their pasts from the vantage point of the present and highlight their enduring virtues, important achievements, and most deeply harbored grievances. In showing what memories can tell us about gender as an axis of power, difference, and collectivity in 1950s rural China and the present, Hershatter powerfully examines the nature of socialism and how gender figured in its creation. —University of California Press

Give Wenzhou What It Needs

The development of China's private economy requires financial support, especially private financial support. Wenzhou is the home of the private economy. With 99.5 percent of companies falling into the category of small and micro enterprises, one in three people in Wenzhou is a businessman.

What the U.S. Can Learn from China

Mainstream media and the U.S. government regularly target China as a threat. Rather than viewing China’s power, influence, and contributions to the global economy in a negative light, Ann Lee asks: What can America learn from its competition? Why did China suffer so little from the global economic meltdown? What accounts for China’s extraordinary growth, despite one of the highest corporate tax rates in the world? How does the Chinese political system avoid partisan rancor but achieve genuine public accountability? From education to governance to foreign aid, Lee details the policies and practices that have made China a global power and then isolates the ways the United States can use China’s enduring principles to foster much-needed change at home.

This is no whitewash. Lee is fully aware of China’s shortcomings, particularly in the area of human rights. She has relatives who suffered during the Cultural Revolution. But by overemphasizing our differences with China, the United States stands to miss a vital opportunity. Filled with sharp insights and thorough research, What the U.S. Can Learn from China is Lee’s rallying cry for a new approach at a time when learning from one another is the key to surviving and thriving.  —Berrett-Koehler

Wu Fei: An Authentic Voice

Wu Fei is a Beijing-born composer, vocalist, and guzheng (Chinese zither) player. Her music career tracks a journey from East to West and back again. Born into a musical family, she started playing guzheng as a child. After graduating from the China Conservatory of Music, Wu moved to the United States in 2000 to study composition at Mills College in California. While at Mills, she began to experiment with new musical styles, collaborating with Fred Firth, Béla Fleck, Carla Kilhstedt, Pauline Oliveros, Cecil Taylor, and John Zorn.

China’s Death-Row Reality Show

Until it was taken off the air last December, one of the most popular television programs in China’s Henan province, which has a population of 100 million, was “Interviews Before Execution.” The presenter was Ding Yu, a pretty young woman, always carefully dressed with colorful scarves and blouses; in each episode, she would interview on camera a condemned murderer who was about to face a firing squad or a lethal injection.

Wang Shu, Wary of the New

At a time when China was bursting with an urge to cover buildings in shimmering silver and gray, Wang Shu, the first Chinese winner of the Pritzker Prize, was an architect who felt that changing tastes didn’t have to mean changing one’s sense of history.

Re-Reading: The Good Earth

The Good Earth simultaneously manages to be both a classic and not very good. This is not, I trust, a controversial statement: Pearl Buck’s 1931 novel suffered a mixed reputation from the start. While many early readers hailed her work for its realistic descriptions of life in the Chinese countryside, critics derided The Good Earth as saccharine and simplistic.